Showing posts with label New Orleans. Show all posts
Showing posts with label New Orleans. Show all posts

Wednesday, March 1, 2017

Release Day! Change of Heart!





Change of Heart

Release Day 3/1/17


I guess technically I should call this a re-release day, because Change of Heart first appeared in the limited-run anthology NOLA Naughty Nine. If you grabbed that anthology, you've got the story. All that's changed is the fancy new cover.


Fancy New Cover!


For those of you who're just getting to see this for the first time, Change of Heart is a distant prequel to the other Hours of the Night novels - with one or two differences. I co-wrote Vespers and Bonfire with the fabulous Irene Preston, but Change of Heart has been a solo project. It's a historical romance rather than a paranormal, set in the French Quarter in 1933. And, the romantic pairing is f/trans-f, rather than m/m.






I'm excited to be sharing Change of Heart! While it's different than the other Hours of the Night stories, a certain vampire does have a role. His true identity may be a secret, but I left hints and teasers to entertain readers who are familiar with the world. Secret identities is something of a theme in this story, and I hope you enjoy it. Also, be sure and enter the giveaway Irene and I are running for a $10 gift card!!

a Rafflecopter giveaway




Preacher always said New Orleans was a den of sin, so of course Clarabelle had to see for herself…

A body reaps what they sow, and Clarabelle’s planted the seeds of trouble. The year is 1933, and not much else is growing in the Oklahoma dirt. Clarabelle’s gone and fallen in love with her best friend, so she figures it's time to go out and see the world.

If she’s lucky, she’ll find the kind of girl who'll kiss her back.

Clarabelle heads for New Orleans, and that's where she meets Vaughn. Now, Vaughn's as pretty as can be, but she's hiding something. When she gets jumped by a pair of hoodlums, Clarabelle comes to her rescue and accidentally discovers her secret. She has to decide whether Vaughn is really the kind of girl for her, and though Clarabelle started out a dirt-farming Okie, Vaughn teaches her just what it means to be a lady.





I pushed through the double doors, swallowing hard on my nerves. Vaughn and her friends were so worldly, and while my peach crepe dress was pretty, she’d seen it a bunch of times before. Despite the heat, my hands had gone cold from nervousness, but I made myself walk in their direction.
“It took you long enough.” Vaughn jumped to her feet. A few of the waiters were still cleaning up, and even the musicians had already packed away their instruments. “Come on.”
She all but pulled me off my feet, leading me away from the table.
“Are you snatching your little wildcat away?” Leo lolled in his seat, a shade too close to Mr. Dupont.
Vaughn drew me close to her side. “Shut up, Leo.”
She caught my eye and I blushed, ignoring the way Momma and the preacher were yammering in my head. Vaughn had something in mind, and while I didn’t want to burn in hell, I followed along behind her.
“You boys are here to see the boss, right?” she said. “You don’t want a couple of girls listening in on one of your bull sessions.”
Leo brayed loud enough to turn heads, and for a scant second I wondered why Vaughn put up with him. Vaughn’s happiness could warm a whole room, while Leo’s harsh humor left a bitter taste in my mouth. I couldn’t tell about Mr. Dupont. Someone that quiet could be thinking any ol’ thing.
“Come on, baby doll.” Vaughn spoke low, right in my ear, sending off a wave of shivers. I kept hold of her hand and followed. “Mr. Dupont and the boss have business dealings.” She pulled me along toward the rear hall. The only things back there were the kitchen and the boss’s office. We stopped at his office. She drew me into the room and locked the door.
I breathed so fast my head got light, overwhelmed by the scent of roses and my own sweat. At some point the boss would have to put my cash drawer away. Nervousness swelled into fear. “What are we doing?”
“Now.” Vaughn leaned against the door, still holding my hand. “No one’s going to bother us for a while.” Her gaze traveled over my body, leaving a trail of heat. “Such a pretty thing.”
I hitched a hip on the boss’s desk, and she crossed the room, moving slowly, as if we had all the time in the world and the boss wouldn’t be banging on the door any minute.
“I’m just…” The slink in her walk dried my voice like a stream in July. Her soft rose scent washed over me, followed by the heat of her body. She didn’t stop till our knees were touching.
“So,” she whispered.
“We shouldn’t be hiding out in here.” Though nothing under the sun could make me leave.
She ran a fingertip along my jaw. “Why not?” Her smile got saucy. “The boys’ll keep the boss busy for a while.”
Vaughn eased closer, and I arched against her. “It’s a…” Sin. My words were cut off by the press of her lips against mine. Pretty soon I learned that the taste of another woman’s mouth drove the preacher’s talk right out of my head.
This kiss was better than our first one because I knew what to do. She got a hand around my neck and pulled me closer, and, God help me, I let her. Her hands travelled over my shoulders, and our bubs rubbed together, sending tingles to the pit of my belly.
Things blurred, my body lighting up. Too many sensations came at me all at once. She licked my lips, and when I parted them, the touch of her tongue on mine made me gasp. So new. So good. Her arm circled my waist, pulling me tight against her hip. Her fingers teased my nipples through the flowing fabric of my dress.
She only paused when I tried to return the favor by reaching for the buttons of her blouse. She caught my hand and drew it back down to her waist.
“Nope, when I get drunk I get bossy, and I want to play.”  She giggled, and I got it. I’d tasted gin along with the lipstick, smelled the booze on her breath. She wasn’t blotto, but she’d started well before they’d cajoled an after-hours pour out of our bartender.
“You”—she tapped the tip of my nose—“make me think all kinds of naughty thoughts.” Her lips tightened for a second, but then her smile brightened and chased away the passing dim. “Here.” She threaded our fingers together and drew my hands to the top of my head. “Now keep ʼem here.”
“What?” I let go as soon as she did. “I’m not going to—”
“Shh.” She grasped my wrists and returned my hands to my head. “I told you I want to play. Do you trust me?” She rested her forehead against mine. “Do you?”
My heart jitterbugged all the way up into my throat. “Yeah.” The word came out strangled.



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Wednesday, February 29, 2012

Point Of View - How to find my inner 14 year old boy


Emo5This week I have a bit of a problem. An editor friend is putting together an anthology with a pirate theme, and she asked me if I had a short story that might work. I didn't, but I told her to give me 48 hours to see if I could come up with something. She said she already had seven of the ten stories in place, and was looking for something that hadn't already been done. She wanted a male POV character, maybe a person of color, maybe someone with a disability, maybe a historical. So I took all that and threw it around the room a little and came up with an idea:

In 1810 New Orleans, a 14 year old boy whose parents are a plantation owner and his black mistress runs off with a pirate. 

Sounds simple enough, right? It has some of the elements the editor was looking for, and there's plenty of STUFF going on in that place and time to build conflict around. And really, the plot hasn't been a problem. It's the main character, Robert. I've had three people read the piece. One, my husband (and not the most critical reader) thought he sounded like a teenage boy. My friend Amanda read it, and she thought I landed somewhere in the 20's. The third (the editor, and necessarily more critical) thought he sounded like a forty year old man.
Oops.
Stratz - Körper des Kindes 30
Gotta fix that.
I know the basics of how to develop a character. I do a worksheet and figure out as much about them as I can, from their height and weight and skin texture to what's in their pockets and what they like to eat for dinner. All of that detail drives the things they say and how they respond to different situations. I did some of that for Robert - it's a short piece, and I had a tight turn-around - but it was hard when I was working with so many unknowns. Hey, I'm old, but not 1810 old.

I did a series of Google searches using accessible terms like, "societal expectations of children in the early 19th century". Not so helpful, really. Then, I posted my quandary on the WANA112 Facebook page - all writers from a variety of backgrounds and experiences. I heard back from YA writer Cristin Terrill that teenagers were hard and historicals were hard and to do them both together would be really hard. Ouch. It sounded like a such a good idea at the time. 

Cristin did suggest that I read books written in that time period that had teenage boys as the main characters. That thought had already crossed my mind, and so now I've got The Prince and the Pauper and a couple things by Dickens tee'ed up on the Kindle. I also found an interview with Claudia Gray, the author of the Evernight novels, a popular YA series. She said that to find the voice for her teen characters, she does whatever she can to remember what it was like to be a teenager. Hmm. Good advice, if I can remember back that far.

My friend Amanda suggested that it was an issue of language, that Robert would feel like more of an outsider and speak less formally. For what it's worth, I was aiming for Mr. Darcy as a teenager. Have to rethink that, I guess. Clearly I was never a teenage boy, but I believe that alienation is part of the package. As is anger. And insecurity. I've got an almost-teen-boy living with me now. And I've got a husband who was, at one time, a teenager. And I've got the internet to help me fill in the gaps regarding the life and times of New Orleans in 1810, if I can figure out the right search terms. I should be able to do this.

If' you've got any ideas on this, would LOVE to hear them in the comments. Thanks!
Peace,
Liv