Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Tuesday, May 9, 2023

There and Back Again: an author's trip to Oz


Good to go at the RARE book signing!

Last month, I had the amazing good fortune to travel to Australia. I participated in the RARE book signing in Melbourne and tacked on a trip to see my sister, who lives on the Gold Coast. 

Most definitely the best of both worlds!

I've been to books signings before - GRL, PNWA, 20Booksto50k - and I've even traveled outside the US to sign books at UK Meet last fall. Flying all the way to Oz, though, broke new ground. I hauled something like 100 pounds of luggage, mostly books, and learned that there are worse sins than renting a cart when you have to hike from the international to the domestic terminals.

It was A LOT, but I managed.

More importantly, I got to meet people, both readers and authors, who love books as much as I do. A few were new acquaintances and some I'd only ever connected with via the internet. (KL Noone, thanks for sharing my table! And Mia, if you're reading this, THANK YOU AGAIN for bringing a copy of The Frogman and the Spy for me to sign!) I came home with some wonderful memories and with a renewed sense of myself as an author.

Here's the thing. It's awfully easy to discount yourself as an author. It's hard to gain visibility, not every reader's gonna love your stuff (and some are incredibly articulate in telling you why), and self doubt shadows just about everything you do.

I'm not whining. I mean, no one sat me down and forced me to publish. I still remember the moment, at about 20 years old, when I realized that the only person who told me I didn't have a good-enough voice to sing in a band was...well, me. (I went on to sing in bands for something like 25 years.) I pushed myself to get out there and sing, and I pushed myself to write a damned book and get it published. Yes, it's hard, but you know what?

Spending four days with a whole bunch of book people did wonders for my enthusiasm. 
 

Watching horse races on ANZAC Day - and possibly betting a little.

After a fabulous five days in Melbourne, I flew to the Gold Coast, where my sister made me feel like a true celebrity. We crossed off all the important bits: shopping, eating fabulous food (which is the only kind they make in Australia), and exploring the Nerang River and Surfer's Paradise. We also spent an evening at the Australian Outback Spectacular, which you should totally check out if you're ever in the neighborhood.

Really, my only complaint the whole time was the travel time. I swear I made the most complicated arrangements possible, and each way took me somewhere between 27 - 28 hours. Not even joking. Next time I'm springing for a non-stop on Quantas. Because there'll definitely be a next time!

RARE is talking about Brisbane in Spring '25!!!

I got home in time for tulip season!





 


Wednesday, April 5, 2023

Cover Reveal! The Lighthouse Keeper, a Victorian Gothic M/M Romance

 


I really suck at keeping secrets, so sitting on this cover for weeks (months?) has been SOOO hard. When I first emailed my cover artist, Kanaxa, I'd intended to simply get on her calendar whenever she had space. She was so excited by the premise - "Oh. My. Goodness. A gothic Lighthouse theme?! Are you serious?!" - that she started work right away. Which was fantastic, but it meant I had to keep the cover under wraps since last December.

So. Hard.

Now to whet your appetite further, here's the blurb...


Twenty years ago, Martin Gallagher stole the Ferox Cor, and now he’s dead.

Vincent Fairchild, a witch with little power beyond his charm, is tasked with finding that dangerous magical object. He’s already been pruned from the family tree because “nice” people don’t have magic. If he fails to return with the Ferox Cor, he’ll lose his place with the Witches’ Council, leaving him very much alone.

Vincent travels to the West Point Lighthouse, where he finds things are different than he expects them to be. Gallagher didn’t use the Ferox Cor to enrich himself, and Gallagher’s son is not a child. In fact, Rafe Gallagher might be the most powerful witch Vincent has ever met. Powerful, adult, and incredibly handsome.

Martin will return on Hallowe’en, when the veil between the worlds is the thinnest, unless Rafe and his mother destroy the Ferox Cor. If they fail, a great evil may be unleashed on the world, but helping them puts Vincent’s future at risk. There's a way forward, but to find it, he must look to his heart.


CLICK ON THIS DUDE TO PREORDER!
The book is currently only listed on Amazon, but will be wide
and there'll be a print version available!

Now, for those of you who are here for the bellyaching to learn about my editing process, here goes...

Last month I made a post extolling the glories of editing. (Find it here.) And even though work on The Lighthouse Keeper has involved some pretty heavy lifting, I still think editing is cool.

I just wish I could write a full-length novel that didn't require surgery to make it shine.

I'm working with a new editor on this one, and I really like her. She's not the problem, I am. (LOL) The draft I sent her wasn't bad, but a couple of the issues she identified had me restructuring the story to make it work better. Once I start moving scenes around, I have to look at every other scene to weave things in and make sure it all still makes sense.

So that's where I've been, combing through the thing, paragraph by paragraph. Some bits just take a little tweaking, but some need a complete rewrite, and while I know the whole thing'll be stronger when I'm done, right now...

Gah.

All that said, I love Vincent and Rafe and I want to make sure their story lives up to that awesome cover!


To whet your appetite, here's a bit where Vincent learns something
interesting about Rafe...
 
Rafe Gallagher knelt on the ground in a clearing, surrounded by a circle of fir trees and vine maples. Holes had been dug at regular intervals and he held one hand extended several inches about the dirt. He muttered something, words that were unfamiliar but recognizably powerful. At some unseen cue, he produced a trowel from his cloak. He dug up dirt and pine needles and threw them aside. When he'd made a pit that was deep enough to hide the trowel, he stopped, again holding out a hand.
While I didn’t know what we were waiting for, his tension had me hold my breath.
Whatever he wanted, it was not there. Crawling, he found another spot and began to dig, still muttering. If he noticed me or my light, he gave no sign.
The strangeness of his behavior both intrigued and repelled me. Logic suggested that he too searched for the Ferox Cor, and if he – with all his power – couldn’t find it, I didn’t stand much chance.
Still, when he threw the trowel to the ground, I cleared my throat. He froze. Something in his stillness frightened me more than his wild digging had done.
“Who’s there?” he snarled.
I cleared my throat again. “Vincent. Vincent Fairchild.”
“Did Mother send you?”
“No. I’d hoped to find a way to some sort of civilization.”
“You won’t. Not here.” He spoke calmly, as if his hands and nails weren’t black with dirt. “The bluff is too steep to climb, and unless you know one of the natives who called this place Per-co-dus-chule, you’d never find your way.”
“Per-co-dus-chule?” I mangled the pronunciation, though Rafe didn’t seem to notice.
“This place we guard. Did you think our name was the only one?” He swiped a hand across his face, leaving a streak of dirt and blood.
“I guess I never gave it any thought.”
His laugh was bitter. “I’m not surprised. Did you know the first man to sail a tall ship into the Sound named the bluff behind us Magnolia, because he mistook the madrona trees for the pretty flowers he’d known in his youth?”
A collection of rainwater dripped off my hat as if to punctuate the absurdity of the situation. “I didn’t know that either.”
“Hmph.” He found the trowel and tucked it away. “Find my cane.”
“Pardon?”
“My cane. Where is it?”
Now I was thoroughly confused. “There, leaning against that tree.”
The witchlight wasn’t sufficient for me to read his expression, but since he didn’t seem to be joking, I retrieved his cane and held it toward him. “Here.”
Standing, he reached in my direction, making one unsuccessful swipe before clasping the cane in hand. Without any thanks, he tapped the ground, pausing between taps as if listening for a response. He began to walk in my direction. I was too caught up in his actions to get out of his way. He only stopped when we were chest to chest.
“Move, Fairchild.” His tone brooked no argument, yet I held my ground.
Sometimes I have very little common sense.
He might be strange, and rude, and more than a little frightening - hell, he didn’t even show me respect by meeting my gaze - but Rafe Gallagher intrigued me.
“Move, now,” he repeated. From this close he smelled of smoke and burning herbs, though I saw no evidence of fire.
Gathering my courage, I looked directly into those amber glasses, and though it might have been a trick of the light, it seemed his eyes were wholly black.
I got out of his way, though it may have been closer to a jump than a dignified step. He brushed past without another word. I stood, my witchlight dwindling, until I could no longer hear his footsteps through the brush.
Rafe Gallagher was not a boy and he possessed more power than the Witches Council knew. And unless I was very wrong, something almost demonic had stared at me through his eyes.

Wednesday, March 1, 2023

Editing is where it's at!

 



Last night I sent a novella off to my editor. 

Such a simple sentence, but it represents SOOO much work! LOL. I'd promised to get The Novella From Hell to her by the end of the month (of February) and over the weekend it dawned on my that the end of the month was NOW. I was about seven thousand words shy of where I wanted it to be, and the thing needed a solid edit before anyone - let alone an editor - could read it.

When I'm drafting, I'm likely to do thinks like change a side character's gender, decide I want to cut Character X and use their name for Character Y, change the point of view (POV) from first to 3rd (or the reverse - either way is not recommended) or make sundry other major modifications. 

Once I changed a book from m/f to m/m after I couldn't get past the first chapter of the m/f version. (The m/m version is Aqua Follies, which worked out pretty darned well, if I do say so myself.)


Basically, during that first draft, anything is fair game. I throw a bunch of words at a document and see what sticks. Creating the first draft is fun, because I get to see where the story is going to go, but I really love the editing process. Once I can see the bones of the story, then I can make it pretty.

There is a method to my madness. When the first draft is complete, I'll do a re-read, leaving comment bubbles and highlighting the things I need to fix. I'll sometimes leave the last chapter undone, because the process of cleaning things up might show me how the story actually ends. If it's a full novel (or a novella where I have the time lol) I'll make an excel workbook with a page for the story calendar, a page for the outline, and a third page for the punch list.

The calendar is pretty self-explanatory and the punch list is something I create toward the end, to show me what still needs work. For the outline, I track the chapter number, the word count, the POV (if there's more than one), first line, last line, a chapter/scene summary, the plot threads it hits, the romance arc, and any notes. 

Here's a screen shot of my first couple chapters of The Lighthouse Keeper, coming to you sometime this spring.


Sometimes I'll add an additional column for scenes, if there are more than one in a chapter. Word count is important because I think there's a rhythm to chapters, and I want them to all be more-or-less the same. If there's more than one POV, I want to make sure each character has about the same page time. I also like to look at first line and last line, to make sure they're not all the same. 

For example, the outline for my book Lost & Found showed me that the POV character stormed off in anger at the end of at least three chapters, maybe more. It wasn't a good look (lol) so I changed a couple of them.

Creating the outline is slow work, but I learn so much from it that for me it's worth the time. It shows me "scenes" that don't actually accomplish anything and gaps that I need to fill in. My "rules" about chapter length and POV word count are malleable; if I can think of a good reason why Chapter X needs to be twice as long as any other, I'll go with it. I just want it to be a conscious decision. Once I start rewriting, I sometimes add another column with a summary of how the scenes actually end up, or how I think they should end up, especially if I end up doing major surgery.

Because yeah, sometimes surgery is required.

Writers spend a lot of ink (e-ink?) debating whether they're plotters are pantsers, but I think there's almost as big a divide between drafters and editors. My writing partner Irene Preston and I are a good illustration of that divide. Irene sweats over each word, carefully placing them exactly where she wants them to go. I just want to get the words down so I can get to fixing them. She spends a lot of time pondering her characters' motivation before she starts, while I get to know my characters as I go. 

We could not be more opposite, and tbh editing our shared projects can get a little tense.

We've survived six books (and counting), so we're making it work. It's been good for me to learn someone else's process, and I think she's learned from me, too - even if she does want to wring my neck a lot of the time.

At any rate, this weekend required a fairly streamlined approach to getting The Novella From Hell ready for the editor. Saturday I wrote 1100 words, Sunday I wrote 5000 (!!!) words, Monday was a wash because Life, and yesterday I sat down at the computer at 0630 and sent the email to my editor about 5:30 pm. It was a looooong day, but I'm pretty happy with the outcome. 

Until she gets back to me with all the stuff I need to fix.

But hey, it's editing, so I'll have fun!


Monday, February 13, 2023

Happy Valentine's Day!! Flash Fic Special!

 

Flash fic prompts: this city street, a busker, and a key...


So this time last year, the Small but Mighty MM Romance Group page on FB had a flash fiction challenge. The organizer invited group members to post pictures plus three word prompts, and we were all invited to choose one and write a short piece. It was a lot of fun! I liked the shortie I came up with, and even though some of you might have read it already, I wanted to post it over here on the blog. I hope you enjoy it!! And happy Valentine's Day!!


Valentine’s Day in Paris, and the rain matched my mood. The French limited the celebration to lovers – no tacky paper cards for everyone at school or gags for the gang at work – so I got nothing from no one. Yeah, I’d been abandoned in the city of love and the rain-slicked streets made me feel right at home.

I’d staked out a spot under a café’s awning in the Place du Tertre, a hat on the ground at my feet. Wearing my hair in a ponytail let the damp send shivers down my neck. The rain chased away most of the tourists, so the hat was empty, but the artists whose booths lined the square were happy enough to have me serenade them.

Keeping a mandolin in tune while playing outside, with or without the rain, had its challenges. I paused between songs, plucking the pairs of strings to find the offender. Twisted the peg, my gaze on the wet cobbles. Plucked again. Twisted.

A single strum told me I’d restored order. My fingers found the strings, as if they’d made an independent decision regarding what to play next. I took a quick look around. A man leaned against the nearby wrought iron streetlamp. His posture was relaxed, but his gaze was sharp, and aimed directly at me.

I played the opening chords of Scarborough Fair, choosing the tune made famous by Simon and Garfunkel, rather than one of the older, less familiar melodies. The man smiled, nodding in time. The lyrics tell the story of a series of impossible tasks that must be performed to win true love, although most people only know the list of herbs that make up the refrain.

I finished the verse that asks for an acre of land and the man on the light pole raised a finger. He was taller than me, and darker, with a ball cap shading his face. Still, the heat of his gaze took the edge of the cool damp air.

He began a new tune, though the melody still fit the chords I played. He sang The Elfin Knight, an even older folk ballad than Scarborough Fair.

Instead of parsley and sage, the refrain repeated blow, blow, blow, wind blow. I adjusted my strum, adding more drone to suite the earlier mode, hoping the wind wouldn't take it as an invitation. For the next verse, I joined him on the melody, guessing which set of lyrics he’d use.

That ol’ degree in music history came in handy every now and then.

With me holding down the tune, the stranger found a counter-melody, weaving his voice around mine in a way that raised the hairs on my back of my neck. Our lyrics weren’t a perfect match, but I’d spent hours rehearsing with ensembles who hadn’t gelled nearly as well as me and some guy on the street.

We finished another verse, and I wanted to test us both. I paused my hands and, with a teasing grin, said, “the Battle of Evermore”. The Led Zeppelin song was showy and popular, and the stranger returned my smile.

I shortened the finger picking introduction to get us to the vocals and jumped into the verse. Four lines in, the vocal line shifted to a higher register, often performed by a second singer. I nodded at him and the stranger came in, his pure tenor both a delight and a challenge.

After Led Zeppelin, I tried Tam Lin, figuring if he knew The Elfin Knight he’d know this. He did and he harmonized, verse after verse, the overtones created by our blend evidence of our perfect tuning.

How is this happening? The twining of our voices felt like a seduction. We’d drawn a small crowd, despite the rain, and God knows me and my ne’er do well ex- had never sounded so good.

Rather than get derailed by the guy who’d left me broke and busking in Paris, I shut my mind down and just played. Greensleeves, as much a classic as Scarborough FairGaudete, because it’s always Christmas somewhere. Sumer is icumen in, a bouncy Medieval round.

“Wait,” the man said after the last cuckoo’s call faded. “Play Belle qui tiens ma vie.”

Beautiful one who holds my life.

Slower than the others, the song he’d suggested was a pavane, a courtly dance. Though only known by history nerds and SCA types, the lyrics were unashamedly romantic.

Your beauty and your grace
And your divine ways
Have melted the ice
Which was freezing my bones
And have filled my heart
With a loving ardour.

While the song might have been a declaration of courtly love, something in the man’s expression gave the words added layers of meaning. His tone was an invitation, and while my dick thought that was a fine idea, the rest of me was gun-shy.

I stopped after the third verse, the heat in the harmony becoming too personal for a public square. I didn’t even know his name, but right then he could have talked me into anything.

“What?” he asked, one brow raised as if he sensed my discomfort and found it amusing.

“Uh…” I gestured at my hat, now holding a few francs and some coins. “I can buy us both a drink.”

His smile broadened. “Another time, perhaps, but thank you for the music.”

He bowed from the waist, as anachronistic as the songs we’d been singing. His smile held mischief, but his eyes were full of promise.

And me? I was cock blocked in the extreme.

The rain picked up, chasing away the crowd. I packed up my mandolin and pocketed the cash. I wasn’t in the mood for a solo visit to a café, so I found a market and treated myself to a baguette, cheese, and a bottle of wine. All the while, my nerves thrummed with leftover excitement.

Since my ex- had left, I’d had to downsize. Rather than a decent two bedroom flat, I had a small studio, the kind that rented by the week. The place had once been a fancy home, but it had been carved up long enough ago that each apartment came with an antique metal key.

A key that was no longer in my pocket.

Damn it.

Standing in the mildewy hallway, I set my parcels on the floor and patted myself down. Nope, the key wasn’t in any of my jacket pockets, and it hadn’t magically traveled to my pants. What the fucking hell had I done with it?

“Hello Damon. Looking for something?”

The question startled me so bad I hopped. “What?”

The guy from the Place stood a few feet away, dangling my key between his thumb and his index finger. “If I had to guess, I’d say this is what you're after.”

Questions tumbled out of my mouth on a single breath. “How’d you know my name and where’d you get that and who are you and what the fuck is going on?”

His grin widened. “I’m Leo Dubois, Bard of the Danaan sidhe, and I borrowed your key so I’d have a reason to see you again.” He closed the distance between us. “And as to what’s going on, I hope we do more of this.”

Leaning forward, he brushed a kiss over my lips. Up close, he smelled like fresh air and clean pine forest, and, acting on instinct, I grabbed his jacket and hauled him in.

Our second kiss was longer and deeper and hotter than anything in recent memory. The blend in our voices was nothing compared to the way our spirits melded together. When we finally eased apart, I stood with my forehead resting against his chin.

“You still didn’t tell me how you knew my name.” I should have been embarrassed by how breathless I sounded, but Leo’s answering laugh wrapped me in reassurance.

“Invite me in, and we’ll talk. I feel we have much to discuss.”

I blinked, suddenly aware that we were two men kissing in a semi-public place. Not the smartest thing ever, so I fitted the key into the lock.

I had questions and hopefully he’d have answers, but either way, my dick was first in line for satisfaction. This Valentine’s Day had taken a mighty unexpected turn, and, almost vibrating with excitement, I invited him in.

 


 

 

 

 





Tuesday, January 3, 2023

My sweet Ed the dog, may he RIP

Google defines blogging as "add new material to or regularly update a blog." I used to blog, both here on blogspot and on the Spellbound Scribes. Then the Scribes went on hiatus and life got in the way. Blogging was one of the things I let slide.

To say I've been inconsistent with this blog is fairly hilarious - one post every other year makes you invisible, not inconsistent. I'm feeling the itch, though, so one of my New Years Resolutions is to blog more regularly. I manage once a month on the Scribes, but now I want to double that. 

That's right. You can look forward to twice a month blog posts on liv-rancourt.blogspot.com!


Did you know that when you google a word's definition, you also get a little graphic showing how often a word has been used? (Handy for historical romance authors, ya know?) I don't know why it amuses me, but "blogging" shows a flat line until about 1995.

You might be wondering what I've got to blog about. I expect it'll be similar to my posts on the Spellbound Scribes; a mix of writing craft, what I'm up to, and stuff that pisses me off. I'll also post flash-fiction pieces, along the lines of The Hunt, my December post. I could also see doing a serialized story, depending on how things go. I'll start with two posts a month and see where I find my groove.

All of this has me wondering whether you make New Years Resolutions.

I've made a couple besides blogging. I've committed to limiting my game time on my phone to an hour a day (hard!) and eating more vegetables (harder!). It might not seem like much, but when I make resolutions, I try to keep a few basic rules in mind.

Goals should be specific, measurable, and within your control.


Twice a month blogging fits into that fairly well, as does limiting game time on my phone. (What an effing time-suck Two Dots can be! Don't download it!!) Eating more vegetables is a little nebulous, though if I give it some thought, it won't be hard to figure out how to articulate that goal in a way that fits the rules.

I will eat 1.5 - 2 cups of fruit and 2 - 3 cups of vegetables a day, every day, 
in order to lose the weight I gained over the holidays.

See? That wasn't hard at all. 


In general, setting goals is easier than keeping them, but keeping them is easier if you make them as specific as possible. "I'm going to change my life," might feel good in the sparkle of New Years Eve champagne, but "I'm going to do 30 minutes a day on the spin bike" is a lot more concrete. 

It's important to keep in mind that your goal should be something that is within your control. An author might say "this year I'm going to sign with an agent", but it's up the an agent to offer a contract - or not. 

What's within an author's control? Research, queries, and persistence.

"I'm going to research agents in January, come up with a list of names in February, 
send out queries in March, and rinse-and-repeat until I'm offered a contract."

Also, an author can hone their craft and make sure their books is the best it can be. 

Which isn't to discourage anyone from making big goals. Something like, "I'll wear my high school jeans to my 20th class reunion" might feel grandiose, but break it into smaller steps that define the scope of the goal and articulate what it'll take to get there. Then use the success that comes from accomplishing small steps to motivate the next and the next after that.

Dream big, but keep your feet on the ground!

This all reminds me of the song, "In My Mind" by Amanda Palmer. I'm not all that familiar with Ms Palmer's music, but the lyrics for this one are so accurate and so honest that I can't help but love it. Check out the link if you're curious, and btw leave me a comment with your favorite NY Resolution. I'd love to hear from you!




 

Tuesday, June 2, 2015

Music Music Music!

The other day my friend Ellen made a blog post about a band she listened to in college and the power of one song to take you back in time. (Jump HERE to check out her post.) Then yesterday my friend Janice made a post over on RelentlessWriters about how music can inspire your writing. (Jump HERE for that one.)

I figure since things happen in threes -  and I missed my Monday post because I couldn't come up with anything  - I'll finish the set with a post about how I tend to link specific songs to different writing projects.





I can't say that every novel or short story I've written has a song attached to it. Some draw more from genres of music, and for some I just rely on my trusty Alt-Country Pandora station to keep me motivated. But sometimes the theme song just jumps right out at me...

Take my novella A Vampire's Deadly Delight. The story is basically a Buffy/Spiderman mash-up with some funny bits and a happy ending. The working title was inspired by this Spin Doctors song, which captures the main idea - a heroine with a powerful secret - along with the not-taking-itself-too-seriously vibe.





Want another example? My novel Forever and Ever, Amen started life as Only the Lonely, inspired by The Motel's song.

 

'80s music is featured in the story and this song in particular captures the story's melancholy vibe. Forever and Ever, Amen was recently picked up by AmazonEncore, and will be available 6/9/15 - but you can preorder it now. You know. If you want.

My novel Hell...The Story was a quarterfinalist in last year's Amazon Breakthrough Novel Award. It doesn't have a contract - yet - but when it's finally released, I swear I'm going to make a promo video using this Squirrel Nut Zippers song...

 


If there's a theme song for Aqua Follies, my '50s m/m romance currently out on submission, it's Chet Baker's version of My Funny Valentine. Sad and sweet, it captures the undercurrent of sorrow that goes along with telling a story about gay men in the 1950s.


 

And finally, I'm almost afraid to share this song, because I CAN'T GET IT OUT OF MY HEAD! Adam Lambert's Better Than I Know Myself is the theme for my current WIP, Gregory and Jack. It's a contemporary m/m romance about a couple of stubborn guys who are better together than they ever were apart - if they could just figure it out.


 

So there you have it. The soundtrack to my head. I hope you enjoyed the journey...

Peace,
Liv

Do you make strong connections between books and music? If you want, share an example or two in the comments.

Wednesday, May 20, 2015

KING STUD LIVES!



So Wednesdays I usually make a promo post, but this week's a little different. I'm not promoting someone else's work. I'm celebrating my own! A little over two years ago, I stared a project about a woman who inherits her grandmother's falling-down Craftsman house. She takes a hiatus from life in L.A. and comes home to Seattle with the intent to clean the place up and get it on the market. She doesn't realize how big the project's going to be, and she doesn't expect to fall madly in love.

With her best friend's (much) younger brother.

Oops.

I loved the concept, but once the first rush of words had passed, I had some trouble sticking with it. In order to motivate myself, I made a series of Six Sentence Sunday blog posts (starting HERE) and the warm fuzzy feedback I got on them gave me the push to keep going. I workshopped the story in Margie Lawson's Fab 30 class, and about a year later, the project helped me get me a contract with my agent Margaret Bail.

After several re-writes - and much patience on Margaret's part - she took the novel shopping, and today I'm thrilled to announce that King Stud has found a home with Evernight Publishing! I don't have much in the way of details yet, but I'm excited to be working with Evernight. They have a great reputation for supporting their authors, and their cover art is amazing.

And so....drumroll....I present...

King Stud: An O'Connor Family Novel

Blurb

Danielle’s got a deadline. She’s got three months to make her Grandmother’s rundown Craftsman house livable. Her game plan is to get in, get grubby, and get back to the job she loves in L.A. She needs help, and a high school friend’s younger brother is a skilled carpenter, so she hires him. It’s hard to ignore the buffed body under Ryan’s paint-splattered sweatshirts and worn jeans, but her friend declares her brother’s off-limits and Danielle doesn’t want anything to distract her from getting back to her real life. 

Ryan doesn’t have the cleanest record, either. His recently ex-ed girlfriend wants him back, and he has a temper, though he’s trying hard to lose the reputation for brawling. He’s also had a crush on Danielle since he was a kid. Despite their nine-year age difference, she triggers something deep, something he knows is worth pursuing.

It doesn’t take long before the paint under Danielle’s fingernails starts feeling more natural than the L.A. sunshine, and she faces a tough decision. She’ll have to navigate the professional drama, the plumbing disasters, and the cranky best friend to find something she hasn’t had before: a real home, and a man who loves her.


As soon as I know more - like the cover reveal and release dates - I'll be sure to spread the word. In the meantime, thank you to Margaret for all your input and for getting the deal, thank you to Rhay & Amanda & Michele & Ellen & Debbie & Synithia & all the Fab30 students for beta reading - and I might have forgotten someone and if so I'm sorry!!

You can probably tell from the title that this is the first in a series, which means I gotta get busy. Thanks very much for all the support. I'm so looking forward to having King Stud out in the world!

Cheers!
Liv

Monday, May 18, 2015

The Setting Can Screw You: A Cautionary Tale

So last week I dug down into my TBR pile and found a popular book by one of the big names in m/m romance. I've read and enjoyed several other books by this author and trusted that I'd be in for a few hours of fun.

Sadly by about half-way through, I wanted to bounce my kindle off the floor.





You want to know why?


Because one of the heroes lived in Seattle, and the other worked in Tacoma, and they drove up and down Interstate 5 and never once complained about the traffic. For someone who lives in Seattle, that's sort of like neglecting to mention the rain or the Starbucks on every corner.

In a Seattle Times article last March, a group called the Tom Tom Navigation Company said Seattle had the 5th worst traffic in the country. We were right there behind Los Angeles, New York, San Francisco, and Honolulu. This is not a new problem. We've been in the top ten for the last twenty years at least. 

But seriously, as much driving around as the guys in this book did, most of the action would have had to take place in the FBI agent's SUV, because they would have been spent the whole novel on the freeway.




I don't mean to get ranty about Seattle traffic - although it does suck - but when a character in Tacoma agrees to meet someone in Seattle by 5:30 on a Friday afternoon, their first thought better be "How soon do I have to leave?"  Because if I had to drive those 45 miles, I'd give myself an hour or even ninety minutes. Though I loved the interaction between the characters and thought the plot was clever and suspenseful, in my mind the author missed something pretty basic.

And as a writer, that kind of scares the crap out of me, because you don't know what you don't know.


You know?





Regardless of the setting - or the time period, for that matter - I want to get the details right, to avoid bumping the reader out of the story with something as dumb as a missing traffic jam. Either I limit myself to writing contemporary stories set in Seattle, or I better have some strategies for ensuring my own accuracy.

I dug around to see if I could find information about how to keep from making setting errors, and to a large extent, it's a problem of worldbuilding. 


But Liv! Wait! 


Worldbuilding is for fantasy novels or science fiction, not contemporary settings. Right? 

Apparently not. 

The post Check Your Facts on The Editor's Blog is a great resource for preventing setting errors. It also reads like the mirror image of Patricia C. Wrede's list of worldbuilding questions. Ms. Wrede's list asks, "what kind of animals are in your world?", while the Editor's Blog post asks "are the animals in your story appropriate to the world?" They're coming from different angles to get at the same information.

(Janice Hardy's also got some good information on developing your setting in this Worldbuilding 101 post on the Fiction University blog.) 

When you're working with a contemporary setting, I think the tendency is to assume things are pretty much the same as your own reality. Grinding down to the level of detail suggested in any of the sources I've mentioned would take a whole lot of work, and most of the information you develop would never make it onto the page. Maybe the answer is to streamline some, to tackle the most pertinent bits of information and make sure you get them right.

But how do you decide what's pertinent for a place you've never been to?

  • Research
    • Thank God for the internet! More importantly, thank God for GOOGLE! I read as much as I can stand about all aspects of my chosen setting, and will even take screenshots of specific locations from GoogleEarth. I save the links in Evernote, organized by topic, or on the Pinterest board for that story.
  • Visit
    • All the research in the world can't replace actually standing on the ground. It may not always be economically feasible, but visiting the location of your story is the best way to get the nitty-gritty details that can make a setting pop. Google is very, very good, but it can't replace your own five senses, nor your experience of a place.
  • Beta-reader
    • If you're serious about writing, you know the value of a good beta reader, but I would argue that if you're going to set a story outside of your own home town, you should try to find a local to read through it. My urban fantasy novel Hell...The Story is set in L.A., and after one of the final editing passes, I sent a copy to my sister who lives there. Her whole assignment was to take a red pen to anything that didn't ring true, and her ideas and suggestions were invaluable.
I'm pretty sure I would have had all kinds of helpful suggestions if the author of the traffic-less book had asked me to beta read it. Maybe I should track them down and offer to help with future projects...

My list of suggestions for how to keep the setting real is by no means exhaustive. Do you have any ideas to add?

Cheers!
Liv





Monday, May 11, 2015

Where Do You Get Your Ideas?

I accidentally double-booked myself, so I'm going to be a bit of a brat and give you a taste of the post here, with a jump to the Relentless Writers, my group blog for the rest of it. Please bear (bare?) with me and make the jump, but keep an eye out over here because very soon I'm going to have a happy announcement about my contemporary romance King Stud...)

Where do you get your ideas?


I'm a writer. People ask me that. And when they ask, I want to do this...


Yeah Ke$ha, I don't know either.


Because tearing my hair out is easier than trying to explain how I come up with my ideas. Take my current project...

Jack rides his bike from Portland to Seattle in January because his maybe-ex-boyfriend's mom is in the hospital and he doesn't want to accept the gift of an airplane ticket. Will his stubborn streak end things for good, or can he and Gregory find a way to rekindle their love?

As hard as it is to summarize a 200 page story in fifty words, it's even harder to explain how I came up with it in the first place. Most people who aren't writers (or artists, or musicians, or participants in any other kind of creative endeavor) think ....

Ah yes, to learn what most people think, you'll have to jump HERE. Thanks for playing along...


Gratuitous Prince. Because, Prince.

Wednesday, May 6, 2015

Romancing Austin



Romancing Austin

Seven Romances. One Wild Party
A multi-genre contemporary romance anthology

Release Date: May 5, 2015


Introductory Price: $0.99 (limited time); reg. $3.99

KEEP GOING ALL THE WAY TO THE END OF THE POST FOR A 
$75 AMAZON GIFT CARD RAFFLECOPTER GIVEAWAY!!


Romancing Austin Blurb


Former rock star Dex Reed throws a wild comeback party in his Austin penthouse, and seven romances heat up the night. 

No Quitting Allowed, Rebecca Royce
One last assignment and then Lana is quitting her job, quitting Austin, and moving on with her life. Until Jake stumbles into her and changes the direction of her whole world. 

Twisted, Cara Carnes
Caleb "Colt" Douglas agreed to close out Twisted Delirium's sold out world tour with a gig at SXSW for one reason--win back the woman he left behind. 

Do Over, Chandra Ryan
When life offers Juliana a fresh start, will she follow her heart or play it safe?

Consortium, Riley Bancroft
Record exec Holt Michaelson married the enigmatic Chloe to keep his assets safe from a vindictive competitor, but after a fiery encounter with his new wife, he's determined to claim her as his own, body and soul. 

Tall Order, Irene Preston
Dylan made the worst mistake of his life when he chose his career over Aston, but tonight he'll take a risk on Aston even if it's too late.

Enchanted, Evelyn Berry
Stripped of her magic, fairy princess Aurora is torn between her duty to her imperiled family and to a brilliant musician who holds the key to their freedom...and her heart. 

One Night with the Vampire, Jax Garren
Tonight Alex will finally possess the woman he's craved, but Sofia's dangerous family secrets threaten to tear them apart.


Buy Links





Excerpts

They told me I could choose one or two, so I've got snippets from Irene Preston & Jax Garren. Good stuff!!




Excerpt from Tall Order by Irene Preston



“Hello, Dylan.”

Dylan closed his eyes at the unfairness of the whole fucked up night. Damn, damn, damn. The sound of his name on Win’s lips still made him weak at the knees. It made him want to punch the asshole in the other room and anyone else who’d touched Win while he was gone. It made him want to take Win home, and take him to bed, and remind him they belonged to each other. Dylan and no one else took care of Win. Unfortunately, none of that was possible, and it was all his fault.

He turned.

“Win.” It was all he could manage. Up close Win was even more devastating. Dylan locked his knees so he wouldn’t take a step closer. If he started moving toward the man standing in the doorway, he wasn’t sure he could stop.

“Most people just call me Aston now.” 

I’m not most people. Dylan stopped himself from saying it out loud. 

Win watched him for a minute. “I didn’t know you were back in town.”

Was there a shadow of hurt in his eyes? Dylan couldn’t tell. The realization sliced him, because he had always been able to tell exactly what Win was thinking.

“Just got back.” What else was there to say? Yes, he was back in Austin. No, he wasn’t in New York. Yes, his Big Chance had been a Big Mistake. No, he never should have left. He should have stayed here, a medium-sized fish in a medium-sized pond instead of trying to swim in the ocean. He should never have forced Win to choose.

Win took a few steps closer and all the thoughts running around in Dylan’s head stopped cold so his brain could focus on one fact. Win. Right in front of him. I could touch him. 

Win was so close Dylan had to tilt his head to keep looking at him. The angle brought back the memory of every time he’d angled his head just so when Win leaned in to kiss him.

Dylan held his breath, held as still as he could, and tried not to give the thought away.

Win gazed at him for a minute, then lifted one hand and trailed a finger down the front of Dylan’s shirt, lighting up nerve endings as he went. 

“Cute.”

Read More from “Tall Order”

About Irene Preston


Irene Preston has to write romances, after all she is living one. As a starving college student, she met her dream man who whisked her away on a romantic honeymoon across Europe. Today they live in the beautiful hill country outside of Austin, Texas where Dream Man is still working hard to make sure she never has to take off her rose-colored glasses.

Visit Irene Online:

IrenePreston.com | Facebook | Twitter | Pinterest | GoodReads | Amazon 






Excerpt from One Night With the Vampire by Jax Garren


Alex shot her another one of his smiles like a ray of sunshine in the gloom. “I’ll put this in the icebox for later.” He took the Champagne to her refrigerator.

He bent over to slide the wine in, outlining his tight glutes beneath the chinos. As his therapist, she’d seen them naked already—pale, smooth skin over perfectly shaped muscles—but then he was a client on a table. In her kitchen, bent over as he sorted through leftovers to make space, he was all man. Desire rose through her fiercely, setting her skin tingling and her breath on edge. She could probably have him tonight, too.

The problem was she didn’t just want him. She liked him. Given her way, they’d make tonight amazing and then see about tomorrow, but a relationship meant a lot of honesty she didn’t know him well enough to give. It wasn’t fair to him to start anything if there was a chance she had to work for Marcos.

He straightened and turned to her. The dark look in his eyes meant he knew she’d been staring at his ass. 

She cocked a hip. “How long does it take to find room in a near-empty fridge for one bottle?”

He shut the door and sauntered toward her. “How long would you like it to take?”

She popped him on the rear and headed to her room for her purse. “You are trouble with a French accent.”

When she came out, he was right where she’d left him, waiting for her with a soft expression. “You are an angel with magic hands.”

She swallowed past the lump forming. This was not a relationship. She didn’t have the freedom for a relationship. So tonight she’d keep it light and hot, one really good night before her fall from grace. She looked him over in a thorough examination. When there was no room for doubt about the wicked direction of her thoughts, she strode across the room to the door, high heels clacking on the tile. “If you like my hands, you’re going to love what I can do with my mouth.”

About Jax Garren


Jax Garren is the author of hot, urban paranormal romances the Austin Immortals and the Tales of the Underlight. Though descended from Valkyries and Vikings (she’s part Swedish), Jax was raised a small town girl in the Texas Hill Country. She’s been a programmer, a theater teacher, a wedding singer, and a foster parent. She’s now happily married to an engineer who studies renewable energy. Jax loves meeting new people, so if you see her, give her a Viking “Hail!”

Visit Jax Online:

JaxGarren.com | Facebook | Twitter | Pinterest | Tumblr | GoodReads | Amazon  


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