Showing posts with label historical fiction. Show all posts
Showing posts with label historical fiction. Show all posts

Thursday, June 8, 2017

Aqua Follies! It's here...and here....and here!





You might have heard me mention the fact that AQUA FOLLIES IS COMING 6/15/17! Er... and if you haven't before, consider yourself warned. I love the world that this story is set in, because the 1950s were such a complicated time. It was not for the faint of heart, the unconventional, or, you know, the gay.

The thing is, though, when you dig beneath any stereotype you find all kinds of different attitudes. I think there's evidence that not even the '50s forced conformity turned everyone into a cookie cutter. There have always been times and places where society was more tolerant, and while no one would ever accuse the '50s of being open-minded, from the 1920s until the '70s at least, the seedy red-light district south of Yesler Way in Seattle hosted a number of same-sex bars, coffee shops, and night clubs.

As long as the management paid the cops their stipend, they didn't get harassed...too much.

The world Skip and Russell live in is filled with friendship and music, with party lines and dungarees, and with secrets and fear. I hope you'll check out Aqua Follies soon. The $0.99 preorder price won't last for much longer!




























The 1950s. Postwar exuberance. Conformity. Rock and roll.
 Homophobia.


Russell tells himself he’ll marry Susie because it’s the right thing to do. His summer job coaching her water ballet team will give him plenty of opportunity to give her a ring. But on the team’s trip to the annual Aqua Follies, the joyful glide of a trumpet player’s solo hits Russell like a torpedo, blowing apart his carefully constructed plans.

From the orchestra pit, Skip watches Poseidon’s younger brother stalk along the pool deck. It never hurts to smile at a man, because sometimes good things can come of it. Once the last note has been played, Skip gives it a shot.

The tenuous connection forged by a simple smile leads to events that dismantle both their lives. Has the damage been done, or can they pick up the pieces together?





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Aunt Maude patted the director’s shoulder and strode downstage, mistress of all she saw. “Hop out, girls.” She clapped her hands briskly. “Grab towels if you need them. We’ll go through the last few numbers and go home.”

Right away, Susie scuttled over to Russell. “After all this, I’ll need a shot of whiskey to take the chill off.”

“Me too.” Russell smirked to temper the truth in his words. “Go get your robe.”

“Nah, you’ll keep me warm enough.”

He took pity on her shivering and draped an arm over her shoulders. She tucked herself in close, ensuring he’d be left with soggy spots on his sports shirt and khaki slacks, but he didn’t push her away.

He and Susie made a good team, and for the seven thousandth time, he wished the press of her curves put more heat in his veins.

No such luck.

“Thanks, lamb chop.” Her rubber nose clip gave her voice a nasal hum, and she trembled in the cool summer air. “Can we sneak out later?”

“Sure, but if Aunt Maude catches us, we’ll both be on the train back home.”

She faked kicking him in the shin. “I didn’t come all this way to worry about going home. You and me are going to have fun.”

He pressed a kiss on the top of her head. “Yes, dear.”

Their last hurrah. They had two weeks in Seattle, then another run in Detroit. At some point, Russell would give Susie the diamond ring he had tucked in the bottom of his suitcase. He snugged her closer to his side. He’d start his new job, they’d get hitched, he’d buy the house, and she’d give him babies. More importantly, the wedding would give his parents something to be happy about.

The feeling of dread wedged under his sternum had more to do with nerves than anything else.
The director called for the Night at Club Aqua number and counted off a fast tempo. His baton flashed in the floodlights blazing from the edge of the stage. From the orchestra pit, the band hit the opening bars of “In the Mood.” Susie took off, diving into action with the other Aqua Dears. They spun through the water in a synchronized display, while the dancing half of their traveling troupe, the Aqua Darlings, took the stage dressed in sparkling blue skirts, white blouses, and low-heeled black shoes.

The big band, a dozen musicians playing brass and strings and percussion, romped through the verses twice, their heads silhouetted in the stage lights. Then a lone musician stood, rising into the glare like Gary Cooper on the screen at a drive-in movie. He was tall and lean and handsome, with a curled pompadour and a five-o’clock shadow. Curiosity pinned Russell in place. Then the young man put a trumpet to his lips, and Russell had to close his eyes.

The music rang out over the lake and bounced off the rooftops in the surrounding neighborhood. The tone was cool, but the solo was hot, hitting Russell with the force of a pickax. The horn’s voice turned his insides to jelly, but the man—from the swoop of his hair to the curve of his bicep—swapped that jelly for lava.


He tried to tell himself his damp clothes caused the shivers chasing over his skin, but didn’t come close to believing it. He dug his fingertips into the bands of muscle running up the back of his own neck and dragged his gaze back to the swimmers, breathing slow and deep to force the flush out of his face. He’d just been surprised by the man, and exhausted from travel. He’d be fine. Everything was okay.




















I write romance: m/f, m/m, and v/h, where the h is for human and the v is for vampire … or sometimes demon … I lean more towards funny than angst. When I’m not writing I take care of tiny premature babies or teenagers, depending on whether I’m at work or at home. My husband is a soul of patience, my dog’s cuteness is legendary, and we share the homestead with three ferrets. Who steal things. Because they’re brats.

I can be found on-line at all hours of the day and night at my website (www.livrancourt.com) & blog (www.liv-rancourt.blogspot.com), on Facebook (www.facebook.com/liv.rancourt), or on Twitter (www.twitter.com/LivRancourt). For sneak peeks and previews and other assorted freebies, go HERE to sign up for my mailing list.

Come find me. We’ll have fun!



Wednesday, March 25, 2015

Filtering History

Yesterday KJ Charles did a guest post on Joyfully Jay's blog, wherein she warned against 'timewashing', or applying a contemporary mindset to characters in historical fiction. To a certain extent it's unavoidable, because modern readers don't really want to know the nitty gritty about sanitary, health, and hygiene practices from back in the day, but Ms. Charles argues that when it comes to sexism, racism, and gender/orientation issues, a writer needs to be a lot more careful.

I mean, if your hero is the only guy in his entire 19th century Southern American town who doesn't have a lick of racism in him, he might not be quite believable.


Right?


Timewashing. It's a cool word, and it got me thinking about another challenge for writers of historical fiction: The status quo rendering of history may not be accurate.


What do I mean by that?


Basically, if your understanding of history comes from a textbook, you might think every important thing was accomplished by a jowly white dude with a funky haircut and a badly fitting suit.


(Insert a mash-up of Winston Churchill and Walter Cronkite here.)


Or these guys. They fit the description.


Anyone who has read Howard Zinn's A People's History of the United States knows what I'm talking about. There's what happened in the history books, and then there's what actually happened. You just have to dig a little to figure out what part women, people of color, and people with different orientations played.


Let's look at some examples. 


Have you ever heard of Edmonia Lewis? She's one of the 100 Greatest African Americans...


"Motto edmonia lewis original" by Henry Rocher - National Portrait Gallery, Smithsonian Institution.Licensed under Public Domain via Wikimedia Commons - http://commons.wikimedia.org/wiki/File:Motto_edmonia_lewis_original.jpg#/media/File:Motto_edmonia_lewis_original.jpg

Edmonia Lewis was a sculptor who studied at Oberlin College and in Rome. Among the highlights of her career, she sculpted a bust of Henry Longfellow, and her work was displayed at the Philadelphia Centennial Exposition. Once, long ago, I studied Longfellow in school. 

I never heard of Edmonia Lewis until I started making this post.

Another example is given by the women who fought in the Civil War - as soldiers. 


Frances ClaytonMissouri Artillery and Cavalry units.

Something like 400 women fought in the Civil War. Motivated by the same things as their male counterparts - patriotism, mobility, money - they disguised themselves and did battle. Some were discovered when they were wounded or killed. Some were simply never discovered. You could argue the reason their contribution is overlooked is that their numbers were small and they made an effort to remain invisible. 

But maybe we overlook them because they don't fit the expected narrative for how that war was fought.

Shared tombstone of Charity Bryant and Sylvia Drake, a 19th century lesbian couple.

Here's another thing that might not fit the expected narrative: same-sex couples who lived together and were treated by their communities like they were married. Click on the tombstone picture or the link at the bottom of this post to read more about Miss Bryant and Miss Drake. Their story is a pretty compelling argument against the idea that same-sex marriage is a modern construct.

When I was doing research for my novel Aqua Follies, I read about MacIver Wells and John Chadwick, a gay couple who moved to Seattle from Canada in 1957 to open a gay bar. They had some trouble getting permission to stay, because "the Immigration and Naturalization Act of 1952 specified that "aliens afflicted with psychopathic personality" should be excluded from the United States." (Gay Seattle, GL Atkins, 2003


Because gay men were included in the definition for "psychopathic personality".


The Immigration agent who interviewed Mac and John pointed out that they'd  lived together for years, they owned a house together, and they held joint bank accounts, however when they challenged him to prove they'd had sexual relations, he couldn't, so they were allowed to stay in Seattle. 

To me, one of the most interesting things about their story was that two men owned a house together and shared a bank account. They were living - and sharing - their lives, and only when they immigrated to the US did they run into any trouble with authorities. They had to know people, to have friends and family and community. Maybe, as appears to have been the case with Miss Bryant and Miss Drake, their immediate circle knew about their relationship in an abstract way, but didn't want to know the specifics.

And maybe I'm optimistic, but I think on the microscopic, everyday level, people are more accepting of each other's differences that we give them credit for. I certainly don't have the academic background to make big broad statements, but I have to wonder if the trauma associated with World War II led to the pervasive conformity seen in the 1950s (Hello, Senator McCarthy), and if that conformity filtered a great deal of what we otherwise might know of as history.

So women and people of color were taking part in word affairs and LGBTQ people didn't magically spring into existence sometime after Stonewall in 1969. There are more stories than what you find in a standard history textbook, and if you're going to write those stories, you need to both pay attention to historic ideas and attitudes, but also look for real-life examples of people who didn't fit into stereotypes. Any story will be much stronger if it's grounded in the truth.

If you would like to do some more reading, jump HERE for more about Edmonia Lewis, HERE for more about women who fought in the Civil War, and HERE for more about Miss Bryant and Miss Drake. And if you actually do know about history, let me know what you think about my theory that '50s conformity played a role in whitewashing (timewashing?) history.

Cheers,
Liv