Showing posts with label Blake Snyder. Show all posts
Showing posts with label Blake Snyder. Show all posts

Tuesday, January 17, 2023

So you want to write a book....

So many books....so little time...


A friend of mine messaged me the other day, asking if we could get together for a glass of wine. She wanted to ask me about writing a novel, specifically, what she needed to do to write a book. Prior to that text, I had no idea she had an interest in writing, so before we got together,  I did some brainstorming.

What do I say to someone who wants to write a book?

I didn't want to insult her by coming in too basic, and I didn't want to scare her off with a whole bunch of info she might not be able to use. Instead, I tried to split the difference.

I told her to read.

Pick any author, and I can guarantee they were readers before they were writers. Reading others' work inspires us to write and teaches us how. A good book expands our ideas for what is possible and motivates us to do more with our own writing. 

When I studied voice, my teacher told me to listen to excellent singers. Whether Ella Fitzgerald, Debra Harry, or Whitney Houston, I listened hard and tried to copy what they did. I'd store these little tricks of phrasing or interpretation in my own toolbox, ready for when I was working on a new song. 

I do the same thing when I'm reading.

See, no author operates in a vacuum. Whether it's one of the classics, a new bestseller, or the project I'm beta reading for an author friend, reading consciously will help me learn. And you know, it's also okay to copy a little, as long as there's no plagiarism involved. 

Since I didn't have much sense for where my friend was in her writing journey, I suggested she make an effort to read in the genre she wanted to write, and to study how other authors put their books together. I also recommended On Writing by Stephen King, Bird by Bird by Anne Lamotte, and Writing Down the Bones by Natalie Goldberg. All three books touch on both craft and inspiration, and they were all important to my growth as a writer.

I haven't had the chance to reconnect with her, but I've got some ideas for her next steps. Because really, the key for how to write a novel is to, you know, write. Make writing a part of your life, whether you're journaling or brainstorming or sitting down to Chapter One.

Some would probably tell my friend she must write every day. Others are more relaxed, but to me, the most important part isn't frequency or schedule. The important thing is that when you sit down to write, you write, whether or not the muse has chosen to grace you with her presence.

If you wait for your muse, your book may never get finished.

That's actually another thing I learned from singing. For almost ten years, I was the cantor for my church's Saturday evening Mass. For almost ten years, every Saturday I stood up in front of the congregation and led them in the Psalm, Ordinary, and hymns. I generally did a solo at Communion - whether I felt like singing or not.

It was great training for an author.

The discipline it takes to write when you're not feeling it will stand you in good stead when you need to get through edits. Even if the words weren't flowing when you drafted them, you've got a whole bunch of chances to fix things before you send your work out into the wild. (And if you've spent any time on Goodreads, you know how wild it can be! LOL) 

I guess you could say that the three steps to writing a book are reading, writing, and editing, though this barely scratches the surface. I'm not trying to pile everything on at once - nor could I, even if I wanted to. The thing is, writing is a journey, and the information you need will be available when you need it. To get started, though, just read. 

And write.

Best,
Liv

PS... it can be helpful to start small. A six thousand word short story is a lot easier to wrestle into shape than a 80,000 word novel. 

PPS...here are a few other resources I found helpful...
*** All links are from Amazon b/c I'm lazy. They're not affiliate links, so I don't earn anything if you  click.

PPSS...adding another thought....Kristen Lamb, blogging/writing goddess, coincidentally made a post today on how important it is for writers to read. Here's the link. It's well worth, uh, reading. 😊





Monday, May 11, 2015

Where Do You Get Your Ideas?

I accidentally double-booked myself, so I'm going to be a bit of a brat and give you a taste of the post here, with a jump to the Relentless Writers, my group blog for the rest of it. Please bear (bare?) with me and make the jump, but keep an eye out over here because very soon I'm going to have a happy announcement about my contemporary romance King Stud...)

Where do you get your ideas?


I'm a writer. People ask me that. And when they ask, I want to do this...


Yeah Ke$ha, I don't know either.


Because tearing my hair out is easier than trying to explain how I come up with my ideas. Take my current project...

Jack rides his bike from Portland to Seattle in January because his maybe-ex-boyfriend's mom is in the hospital and he doesn't want to accept the gift of an airplane ticket. Will his stubborn streak end things for good, or can he and Gregory find a way to rekindle their love?

As hard as it is to summarize a 200 page story in fifty words, it's even harder to explain how I came up with it in the first place. Most people who aren't writers (or artists, or musicians, or participants in any other kind of creative endeavor) think ....

Ah yes, to learn what most people think, you'll have to jump HERE. Thanks for playing along...


Gratuitous Prince. Because, Prince.

Wednesday, January 21, 2015

A Plotter's Delight

This is me, plotting...

So last week I sent Aqua Follies off to my agent, who will hopefully read it and love it and offer me tons of helpful comments to improve it.

And then she'll sell the hell out of it.

That's the plan.

I love it, and have high hopes for my little story about the coach of a synchronized swimming team who falls in love with a handsome trumpet player. The thing I liked best about working on it was digging into the 1950s. Once I got beyond the "Happy Days" clichés, I learned a lot of really cool stuff.

But that's not what this post is about. This is about what happens next. I set a goal of writing two novels this year, and a couple of novellas, and when I finished Aqua Follies I was really, really, really eager to put down my editing toolkit and just plain write.

Eager, but uncertain. I wasn't sure what direction to head. I blogged about that uncertainty HERE in my Spellbound Scribes post this month. I knew I wanted to work on something that reflected the diversity I see in real life, and I suspected it would have another historical setting. I also wanted to do another m/m romance. 

I'm so excited about the idea I came up with I can barely stand it. It's a two novel set, and the working titles are The Lyric Assassin & The Clockwork Monk. The first book is about Emma who's, well, a lyric soprano, and also a spy. She idolizes her older brother Trevor, and he plays a key role in this story. In the sequel, their roles will reverse. He'll be the POV character, and she'll be a main player. 



As soon as I finished dancing with glee for having come up with this concept, a funny thing happened. I wrote a few pages, just letting Emma speak, but I couldn't go any further until I had a better handle on the plot. Part of the reason may be that since the threads are going to wind from one book to the next, I needed to lay as much out as possible before I could really get started.

I spent the end of last week and all weekend brainstorming, and by Sunday afternoon - while the Seahawks were driving us all crazy - I'd hammered out a beat sheet for Emma's book. Even better, by using the template in Blake Snyder's Save the Cat, I'd been able to figure out how many pages, scenes, and word count each section should have.

Like, I know where I'm going. I'm not crazy like a cat behind the wheel of a car.

This will be my fifth full-length novel, and maybe that has something to do with it. Like many writers I tend to struggle with the middle. The set up is easy, and I know how I want it to end, but figuring out how to get from A to B can be a crap shoot. The coolest thing about developing the beat sheet was making a list of all kinds of possibilities for how to cover the big middle sections. I know I'm going to need X number of scenes, which will take X number of words, and the hero and the heroine have to buzz around each other while her brother's causing trouble and bombs are going off.

Oh hell yeah. It's gonna be fun.

Now I now some of you make THIS face when people talk about plotting...



But I'll tell you what. This is the best I've felt at the start of a project. Things may still turn to worms, and for sure some of my brilliant inspiration will end up in the discard pile, For now, though, I am ready to write.

So where do you fall on the plotter-to-pantser spectrum? Would a beat sheet give you hives, or do you write a synopsis of every chapter before you start?

Inquiring minds & all...
Peace,
Liv


Monday, May 21, 2012

Monday Morning Post: Mash-up Edition


Now today, my happy Rancourtesans, I've put together a few fabulous writing-related blog links that I hope you'll enjoy as much as I did. There's some really good stuff here, and starting a Monday off with a little learning is bound to make the rest of the week go well. Besides, it's raining like crazy here in Seattle, so we may as well stay inside and do some reading...

First up, I tripped over this one in my Twitter stream this morning, and it resonated for me because I've been reading Save The Cat, Blake Snyder's book on screenwriting. Check out Meg McNulty's Writing Blog From Darcy to Dionysus and her post, A Plea for Character Development. It's a great reminder of what's REALLY important.

Then I found this post from the blog The Other Side of the Story with Janice Hardy. This is my fave writing blog, and last Friday's post was particularly good: The Best Advice On Plotting I've Ever Heard.

I recently joined a new Triberr tribe, and one of the members, Veronica Sicoe, blogs about writing at Vero/Building Character. Her post The Key Element of Powerful Fiction is something you can live by.

This post from Nikki McCormack's blog Dancing on the Treetops in the Forest of my Mind is interesting all by itself, but the comments it generated are just as good. It's a look at the whole ebook vs tree-book conundrum (& thanks, Ellen G - I think that's the first time I've ever seen the phrase tree-book). What's missing in ebooks, or, Pizza without black olives.

Finally (and somewhat shamelessly) I'm including a link to Laird Sapir's blog Shabby Chic Sarcasm. Her Sunday post, In The Coop, was kind of funny, if I do say so myself.
;)

Hope you enjoy all these posts, and that you each have a fabulous week.
Peace,
Liv

Photo credit: http://www.dreamstime.com/window-curtains-on-rainy-day-imagefree2261055